(MENAFN- PR Newswire) LOS ANGELES, Oct. 1, 2024 /PRNewswire/ -- The short film
O2 , shot entirely on an iPhone, is redefining the limits of mobile filmmaking, proving that with the right tools and a talented crew, Iphone cameras can deliver stunning results similar to traditional cameras. The key innovation behind the film's production is the Beastgrip DOF Adapter Фoton [foh-ton], invented by Vadym Chalenko , founder and CEO of Beastgrip . This new adapter allows filmmakers to attach professional cinema lenses to an iPhone, drastically enhancing image quality and expanding creative possibilities to achieve the cinematic look that only professional optics can deliver.
Presenting the SHORT film 'O2,' shot on iPhone with PL Anamorphic Lenses
For the first time, a film has been shot entirely on an iPhone using Atlas Mercury Anamorphic Lenses, made possible by a new kind of Beastgrip DOF Adapter Фoton [ foh-ton ] designed by Vadym Chalenko. This isn't just a creative project-it's a groundbreaking experiment, pushing the boundaries of what a #iPhone camera is capable of. In collaboration with Evotime Films, Beastgrip Co., Old Fast Glass, and Atlas Lens Co.
This image features the Beastgrip DOF Adapter Фoton mounted on a Beastcage for iPhone, paired with an Atlas Mercury Anamorphic lens. This setup was used during the production of the film O2, allowing the filmmakers to attach professional cinema lenses to an iPhone, enhancing image quality and achieving a cinematic look. The Beastgrip DOF Adapter, Beastcage, and Atlas lens combination enabled high-quality mobile filmmaking with professional-grade visual results.
Directed by Stanislav Kapralov and filmed by Eugene Usanov from Evotime Films , O2 tells the story of a post-apocalyptic world where toxic air turns people into zombies. To survive, people must wear oxygen masks and carry O2 tanks. The film's central message reflects how we often live for the future, forgetting to embrace the present.
The team behind O2 used Atlas Mercury Series Anamorphic Lenses , which provided the film with a cinematic character, depth, and iconic lens flares. With additional support from Old Fast Glass , the crew built a camera rig using additional equipment, allowing them to work with the iPhone just as they would with a professional camera.
"This adapter is the next step in the evolution of mobile filmmaking," says Vadym Chalenko. "It's still a prototype, but it allowed us to break through the limitations of the iPhone's built-in lens. We used high-quality cinema lenses, giving the film a look similar to what you'd see with traditional cameras."
Director Stanislav Kapralov shares, "I wanted O2 to have a true cinematic feel. Being a visual director, I was excited to see the results we achieved using Atlas lenses with this new DOF adapter. Additionally, AI tools enabled us to add VFX at a fraction of the cost. Although it's in its early stages, I believe the film's final look speaks for itself."
Eugene Usanov, DoP, adds, "The Beastgrip DOF Adapter let us use Atlas Anamorphic lenses, and I was blown away by the results. Despite concerns about the iPhone's dynamic range and low-light performance, Apple ProRes Log exceeded expectations. Combined with the Atlas lenses, the footage looks like it was captured on a cinema camera. It felt like we defied physics."
O2 highlights the evolving potential of mobile filmmaking, where smartphones and advanced tools merge to unlock new cinematic possibilities in storytelling
SOURCE Beastgrip Co
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