(MENAFN- Wadsam) By Abdul Haleem
"My prime objective is to portray the suffering of my
fellow Afghans in paintings and exhibit them to highlight the pains of the
war-weary people," said Hafiza Mohammadi.
Dressed in a style mixing Western and traditional features,
drawing picture of a Western-styled girl in her rented office, Mohammadi said
that girls in Afghanistan should have the right to choose how to dress and live
for themselves.
In the conservative Afghan society where people especially
in the countryside deeply believe in old-fashioned traditions, women and girls
are not allowed to wear Western-style cloths, nor to go to school.
Women and girls living in Afghanistan's rural areas even
cannot go outside home unless they are accompanied by a close male relative.
Describing Afghanistan as a traditionalist and
militancy-plagued society, fine artist Mohammadi believes that her paintings
and painting exhibitions would help gradually change people's mindset towards
modernism.
"Through painting and arranging exhibitions, I like to
display the problems and pains of people particularly women and girls have
faced in society," Mohammadi told Xinhua recently.
Young people, especially girls in the relatively peaceful
Mazar-e-Sharif city, welcome fine art and have approached her to learn, she
said.
"Many people, especially the women and girls are
interested in learning painting, but unfortunately many parents do not allow
their girls to come out of their homes to learn the art due to cultural
barriers and security incidents," the ambitious female Afghan painter
said.
To win parents' support and assure them of their girls'
safety in painting classes, Mohammadi has rented a house in the city's safe
area and turned it into an "Art House for Women" for her teaching.
"A number of talented girls have been learning the art
of painting in the ‘Art House for Women' and some have become skilled painters
to display the miseries of people
especially of women with their paintings," said Mohammadi happily.
The war-weary Afghans have suffered a lot over the past more
than four decades of war, Mohammadi said, suggesting that a painter is in a
good position to portray the outcomes of war, which is nothing more than
killing, crippling of the people and destruction of the country.
"It is my dream to highlight the problems of women and
those who have been disabled due to the protracted war. Today I'm able to
fulfill this dream," Habiba Yusufi, a third-year student of fine art who
often attends Mohammadi's classes at the Art House for Women, told Xinhua.
Yusufi said that working as a painter, especially for women,
is difficult in Afghanistan's conservative society.
Nevertheless, she believes that the "struggle to
overcome challenges empowers you" to achieve your noble goals.
"Although our families didn't allow us to come out of
house and opposed the girls to study or work outside home, we resisted and
continued to learn painting," said another junior painter Sajida
Hekmatzada.
"Today I and some of my classmates are professional
painters and our paintings have been displayed in some exhibitions," she
said happily.
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