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Activists sabotage King Charles portrait
(MENAFN) Activists affiliated with the Animal Rising group have sparked controversy by defacing a recently unveiled portrait of Britain’s King Charles III at the Philip Mould gallery in London. The incident represents a dramatic escalation in the use of vandalism to draw attention to animal welfare issues.
The group's campaigners gained access to the gallery where the first official portrait of King Charles III was on display and affixed a cartoon image of Wallace from the popular ‘Wallace and Gromit’ animations over the glass covering the painting. Alongside Wallace's likeness, they placed a speech bubble that read, “No cheese, Gromit. Look at all this cruelty on RSPCA farms!”
King Charles III is a notable patron of the Royal Society for the Prevention of Cruelty to Animals (RSPCA), a prominent organization dedicated to animal welfare in England and Wales since its establishment in 1824. The RSPCA operates extensively through voluntary donations and oversees initiatives like 'RSPCA Assured,' which aims to enhance welfare standards for chickens, pigs, and salmon across the UK’s major supermarkets.
Animal Rising justified their act of vandalism as a means to highlight what they described as damning findings from their investigation into 45 RSPCA Assured farms. According to the group, the conditions observed were deemed unacceptable and potentially fraudulent.
Daniel Juniper, a campaigner for Animal Rising, emphasized the symbolic choice of Wallace and Gromit in their protest, citing King Charles III's affinity for the animated characters. Juniper explained, “With King Charles being such a big fan of Wallace and Gromit, we couldn’t think of a better way to draw his attention to the horrific scenes on RSPCA Assured farms!”
The incident has reignited debates about the effectiveness of such protest actions, with some condemning the defacement of cultural artifacts while others argue it has succeeded in bringing public awareness to alleged animal welfare violations. The Philip Mould Gallery has not issued a public statement regarding the incident, but discussions on the balance between freedom of expression and the protection of cultural heritage are expected to ensue in the aftermath of this bold act of protest.
The group's campaigners gained access to the gallery where the first official portrait of King Charles III was on display and affixed a cartoon image of Wallace from the popular ‘Wallace and Gromit’ animations over the glass covering the painting. Alongside Wallace's likeness, they placed a speech bubble that read, “No cheese, Gromit. Look at all this cruelty on RSPCA farms!”
King Charles III is a notable patron of the Royal Society for the Prevention of Cruelty to Animals (RSPCA), a prominent organization dedicated to animal welfare in England and Wales since its establishment in 1824. The RSPCA operates extensively through voluntary donations and oversees initiatives like 'RSPCA Assured,' which aims to enhance welfare standards for chickens, pigs, and salmon across the UK’s major supermarkets.
Animal Rising justified their act of vandalism as a means to highlight what they described as damning findings from their investigation into 45 RSPCA Assured farms. According to the group, the conditions observed were deemed unacceptable and potentially fraudulent.
Daniel Juniper, a campaigner for Animal Rising, emphasized the symbolic choice of Wallace and Gromit in their protest, citing King Charles III's affinity for the animated characters. Juniper explained, “With King Charles being such a big fan of Wallace and Gromit, we couldn’t think of a better way to draw his attention to the horrific scenes on RSPCA Assured farms!”
The incident has reignited debates about the effectiveness of such protest actions, with some condemning the defacement of cultural artifacts while others argue it has succeeded in bringing public awareness to alleged animal welfare violations. The Philip Mould Gallery has not issued a public statement regarding the incident, but discussions on the balance between freedom of expression and the protection of cultural heritage are expected to ensue in the aftermath of this bold act of protest.

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