America's Culture Wars As Theater Of The Absurd
One camp praised her as the All-American girl. Another derided the ad as reactionary cosplay, even a flirtation with white supremacy. A commercial that should have been forgotten in a week turned into a national referendum. Absurd, yes. Predictable, absolutely.
Only in America can a pair of jeans become an ideological fault line. A coffee cup at Starbucks. A bathroom door at Target. Each becomes an existential crisis, amplified by algorithms, weaponized by politicians, monetized by media. America's culture wars operate like a machine that takes the ordinary and spits it out as an existential crisis.
Consider Cracker Barrel. The restaurant quietly refreshed its brand, a minor design tweak most would overlook. Hours later, President Donald Trump blasted the change, demanding the old logo back.
The company soon surrendere , and the stock price jumpe . Wall Street rewarded a restaurant not for better food or service, but for preserving a symbol. It was treated as if typography itself were tradition, as if the serif on a logo carried the weight of national survival.
These fights feel uniquely American in their intensity and their insanity. Europeans might argue about immigration or farming subsidies. But they don't turn coffee cups, bathroom signs or corporate logos into symbols of spiritual warfare.
In the United States, male cheerleader in colleges or debates about unisex bathrooms often attract more outrage than federal deficits or overseas wars. Why?
Part of the reason is that America has always loved symbols more than substance. The country was founded not only on land and law but on ideas-liberty, equality, opportunity-that were abstract enough to require constant performance.
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