Arts Council England Abolishes Beleaguered Flagship Strategy The Art Newspaper International Art News And Events
Arts Council England has replaced its flagship 10-year strategy, Let's Create, with an interim Strategic Framework after a government-commissioned review argued that the old plan had become too bureaucratic and, in practice, too constraining for the organizations it funded.
The shift marks a notable reset for the arm's-length public funding body, which said the new framework will help it make“impactful funding decisions at a time when our resources are finite.” According to ACE, the interim model is a“stepping-stone” toward a longer-term approach and will now sit at the center of its funding guidance and eligibility criteria.
Let's Create was introduced in 2020 as a 10-year plan running to 2030, built around four investment principles that included Environmental Responsibility and Inclusivity & Relevance. It was meant to set out an“ambitious vision for the future of creativity and culture,” while also pushing the cultural workforce to better reflect“contemporary England.” But the review led by Labour peer Margaret Hodge, published last December, found that the strategy's implementation had often had the opposite effect. Hodge wrote that while many supported its principles,“many felt that its implementation stifled creativity and innovation.”
ACE acknowledged that criticism in its response, saying some of those it funds had felt the strategy“constrained their freedom to develop the art that matters to them.” The new Strategic Framework is built on three principles: support excellence, deliver for everybody and reach everywhere. It also keeps in place ACE's network of Priority Places, the areas where investment and engagement in the arts remain low.
Some changes will begin immediately. ACE says it will start working with freelancers and individual artists on a new service for individuals, with a national funding programme at its core. One museum professional, speaking anonymously, said the revamp was welcome but hoped it would prove“far less prescriptive.”
The timing is also significant. Nicholas Serota, chair of Arts Council England, steps down on July 31, and the UK Department for Culture, Media and Sport will oversee the search for his successor. For a sector that has long debated how public funding should balance access, excellence and regional equity, the new framework may prove as consequential for what it changes as for what it leaves behind.
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