Tuesday, 02 January 2024 12:17 GMT

Counterpublic Comes To New York Ahead Of Its Next Triennial, Coyote Time The Art Newspaper International Art News And Events


(MENAFN- USA Art News) Counterpublic will open its third triennial with a New York presentation before the full project unfolds across St. Louis next fall.

The St Louis-based nonprofit, which focuses on public art, will present Kite's new commission, Wíhaŋyablapi (of St. Louis), at The Shed during Frieze New York on 13 May and 14 May 2026 at 1pm. The work is planned as the beginning of a long-term permanent installation, giving the project a life beyond the fair week setting.

That preview leads into Coyote Time, which runs from 12 September to 12 December 2026 across five main sites in St. Louis. Nearly 50 artists, duos and collectives will participate in the triennial, with commissions and reinterpretations spread across the International Institute of St Louis, The Ville, the National Building Arts Center, NON STNDRD and the Mississippi riverfront.

The title, drawn from Alice Bucknell's commission, refers to the suspended instant in a video game when a character leaps into uncertainty. Counterpublic uses that idea as a frame for a citywide exhibition that takes on migration, identity, technology, climate, education and civic structures without reducing any of them to slogans.

At the International Institute of St Louis, artist-led projects by Petrit Halilaj, Inès Kivimäki and Rirkrit Tiravanija will engage an institution that has long served newly arrived immigrants. In The Ville, one of St Louis's most significant Black neighborhoods, works will respond to the area's history, including the devastation caused by a 2025 tornado and the legacy of Sumner High School and Stowe Teacher's College.

Other commissions will address environmental damage and industrial afterlives at the National Building Arts Center and NON STNDRD, both tied to the former Monsanto company town. Along the Mississippi riverfront, artists including Glenn Ligon, Rebecca Belmore and Max Hooper Schneider will activate sites shaped by labor, industry and water.

Counterpublic will also emphasize low-carbon production methods and climate accountability. When the triennial closes, it plans to release a climate impact report with a greenhouse gas inventory and a summary of what it learned from mitigation and adaptation strategies. In a field often content to gesture toward sustainability, that document may prove as consequential as the works themselves.

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USA Art News

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