The Legendary Cyberpunk Anime 'Akira' Demands A Rewatch

The emphasis on power is welcome. Tetsuo has always been relegated to second place in the biker gang to Kaneda and cannot bear it. The other effects are less welcome. As with the faltering Japanese economy, artificially accelerated development spirals out of control, eventually forcing military forces and terrorists to collaborate to contain Tetsuo and the mysterious Akira. Much of neo-Tokyo is destroyed in the process. Once again, the narrative strongly echoes the legacy of the atomic bomb.

Akira is a good watch and, if you have the patience, a good read.

Patience is certainly a important virtue for Akira fans. They have been waiting decades to see a live action version. The latest collapse of attempts to bring it to the screen in 2025 helped to prompt this year's return of the anime.

But how accurately does cyberpunk's vision of the future align with the real history that unfolded after the genre's golden age in film and literature? Though it got plenty wrong, cyberpunk did anticipate some defining features of contemporary life – most notably anti-elite populism and political protest.

Cyberpunk, including Akira, is broadly anti-authoritarian, yet it is often set in worlds where no viable alternative appears to exist.

As a result, dissent in cyberpunk tends to be more expressive than goal-oriented, with violence frequently emerging as one of its most potent forms of articulation.

This is, arguably, a reasonable anticipation of a long-term trend within political dissent – particularly where (as in cyberpunk) an association is drawn between technology and elite control. It is worth noting that driverless Waymo taxis were a popular target for protesters during the 2025 riots in Los Angeles.

So there is a similarity up to a point. But cyberpunks like Kaneda and Tetsuo, and their counterparts in the other genre classics, faced off against power more than wealth. Today's left and left-right crossover dissent focuses upon bankers and it trades upon an idea of finance capital in which banking dominates industry. Cyberpunk was anti-authority, but had a better idea of who was actually in charge – elites for whom wealth was primarily corporate and only a means to advancing power.

In our world – the actual world of advancing technology – nobody really knows how much is owned by the wealthiest corporate tech figures such as Elon Musk (Tesla and Space-X), Larry Ellison (Oracle), Mark Zuckerberg (Meta) and Jeff Bezos (Amazon). But we do know that none of them are bankers. Their wealth underpins their power, and as in cyberpunk they seek broader forms of social and political influence.

Unlike cyberpunk elites, they face limits to their ability to wield such influence. The brief Musk team-up with Donald Trump was a marriage made in the divorce courts, with little prospect of lasting the course. In Akira, elites are far less constrained, particularly in the military.