(MENAFN- The Rio Times) The world knows Rio's Sambadrome as a once-a-year explosion of feathers and drums. Brazilians know something else: it sits on the ruins of Praça Onze, the“Little Africa” that was bulldozed in the mid-20th century to make way for wide avenues and, later, an elevated highway.

Now the city wants to reverse that logic. Mayor Eduardo Paes has unveiled“Praça Onze Maravilha”, a plan to tear down the Elevado 31 de Março flyover, sink traffic into an underground“mergulhão” and reconnect the Sambadrome to surrounding neighborhoods with parks, plazas and new housing.

The scheme is costed at R$1.75 billion ($324 million) and is designed to be funded by a public-private partnership rather than the municipal budget.

The project hinges on creating a special urban zone of about 2.5 million square meters, where developers get extra building rights and planning flexibility in exchange for financing infrastructure and public spaces.

City hall talks about 25,000 to nearly 40,000 new homes by 2032, in mixed-use buildings with shops at street level and apartments above, aimed at bringing life back to a central area that hollowed out over decades.


Rio's New Culture Hub Faces a Big Test
The showpiece is the planned Biblioteca dos Saberes, a 40,000-square-metre cultural complex designed by Francis Kéré, the Burkinabè architect who won the Pritzker Prize in 2022.

Built near the Zumbi dos Palmares monument, it is conceived as an open, porous“house of knowledge” for Afro-Brazilian memory, performances and everyday neighborhood use, not just a quiet library.

Behind the glossy renderings lies a harder question: can Rio pull off a big PPP without repeating the problems of its earlier port-zone revival, where debt strains, legal fights and fears of gentrification followed the initial fanfare?

Supporters see a fiscally cautious way to repair historic damage and anchor investment around work, culture and tourism instead of pure speculation. Skeptics point out that promises of social housing and inclusion often fade once contracts are signed and towers go up.

For outsiders, this is a test case: if it succeeds, Rio may show how private capital can help rebuild a battered city core while honoring the Black culture that made it famous. If it fails, it will be another warning about grand urban visions that look better on paper than on the streets.

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