Tuesday, 02 January 2024 12:17 GMT

Tensions Rise Over Proposed New Zealand Statue Commemorating 'Comfort Women' Japan Forced Into Sexual Slavery


(MENAFN- USA Art News) Auckland Faces a Diplomatic Test Over a Comfort Women Memorial

A proposed bronze statue in Auckland has become more than a local public-art decision. The memorial, a seated girl intended to honor the estimated 200,000 women forced into sexual slavery in Japanese military brothels between 1932 and 1945, has prompted criticism from Japan and placed Auckland authorities in the middle of a sensitive international dispute.

The sculpture is slated for the Korean cultural garden at Barry's Point Reserve and was donated by the Korean Council for Justice and Remembrance. Its subject refers to the women known as“comfort women,” most of whom were Korean, though the victims also included Chinese, Southeast Asian, and a smaller number of Japanese and European women. The work joins a global network of similar“peace statue” memorials that began with the first installation in Seoul in 2011.

Japan's ambassador to New Zealand, Makoto Osawa, said the planned memorial was“needlessly stirring up” this chapter of history and warned that it could damage diplomatic relations not only between Japan and New Zealand, but also between Japan and South Korea. The Japanese embassy has gone further, describing the statue as part of an“anti-Japan” movement. Japan has repeatedly sought the removal of comparable memorials around the world.

The debate underscores how public monuments can carry competing meanings at once: remembrance for some, provocation for others. Auckland authorities are expected to decide later this month whether the installation will proceed.

The roundup also points to a busy spring in the art world. Maurizio Cattelan will host a“barter breakfast” in Milan on April 20 during Milan Design Week, while Dior has chosen the David Geffen Galleries at the Los Angeles County Museum of Art for its Cruise 2027 show. In London, the Victoria and Albert Museum has launched a new provenance hub focused on looted works, and former PERMM director Nailya Allakhverdiyeva has described the pressures that pushed her out of Russia and into exile in Berlin.

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USA Art News

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