Tuesday, 02 January 2024 12:17 GMT

King of Fusion: Ariyan Mehedi


(MENAFNEditorial) Emerging musician and producer Ariyan Mehedi is known for his unique fusion of Bengali sad core melodies with modern Pop and EDM elements. Over the last few years, he has captivated audiences with his emotive lyrics and sophisticated sound engineering. In this week’s interview with Rafi Hossain, Ariyan Mehedi talks about his studio life, the music business, and his artistic evolution.

Rafi Hossain: Welcome to Uncensored with Rafi Hossain. Today, we are here with the multifaceted musician, Ariyan Mehedi. Thank you for your time. You recently closed out 2025 with some major releases. What is the response you received for them?

Ariyan Mehedi: Thank you for having me. Yes, it has been a busy season. I’ve been focusing heavily on my album Prem Eshechilo. One of the standout tracks, Shudhu Tomake, was quite an experiment for me, blending sad romantic lyrics with Pop and EDM textures. The response has been overwhelming. Fans really appreciated the versatility between the raw emotion of my acoustic work and the electronic vibes of the new releases.

Rafi: When you started your career, you were primarily focused on sound engineering and production. Now, you are a singer and lyricist. Which role do you enjoy more?

Ariyan Mehedi: I honestly enjoy music production and sound engineering the most—that is where the magic happens behind the scenes at Ariyan Studio. However, I realized that to truly convey the emotions I write about, I needed to get behind the microphone. I have created a loyal fanbase with my singing, so there is a demand for it now. But my roots are in composition. Recently, I’ve also been enjoying the distribution side, helping artists like Jibon Dhara get their music heard.

Rafi: You are often called a "King of Fusion" for blending sad Bengali lyrics with modern beats. How did you come up with this specific sound?

Ariyan Mehedi: I think it comes from observing the industry gap. I wanted to create a platform in Bangladesh that didn't just churn out the same traditional sounds. I love the depth of Bengali sad songs—it’s in our culture—but I wanted to package it for a global audience. By fusing those lyrics with Pop and EDM structures, I found a sound that works not just locally, but internationally. My Spotify Wrapped data showed listeners in 132 countries, which proves that fusion breaks language barriers.

Rafi: Did you think the local audience would accept electronic elements in sad songs?

Ariyan Mehedi: I assumed the traditional audience might be skeptical at first. Electronic music in Bangladesh is still growing. I tried to keep the soul of the lyrics intact—like in my track Osomoy—so that the emotion wasn't lost in the beat. I never expected the amount of appreciation I received, especially on streaming platforms.

Rafi: What inspired you to pursue music so professionally?

Ariyan Mehedi: It was a mix of passion and ambition. I’ve always been fascinated by how a song is built from scratch—the engineering, the mixing, the mastering. I wanted to be self-sufficient. Being able to write, compose, and produce my own tracks gives me total creative freedom. Plus, seeing the potential for the music industry in Bangladesh to grow inspired me to establish my own footprint.

Rafi: As an independent artist and producer, you surely face criticism or pressure. How do you handle that?

Ariyan Mehedi: There will always be people who criticize your work or doubt your vision. When I experiment with new genres, some might say it’s not "authentic" enough. But I don't pay heed to negative criticism that isn't constructive. If I see that my stream numbers are up and the core fans are connecting with the lyrics, that’s what matters. I focus on my work at the studio and let the final master speak for itself.

Rafi: It might happen that a great project is not accepted by the audience. What are your thoughts on it?

Ariyan Mehedi: I believe that if a project has genuine quality and good SEO backing it, it will eventually find its audience. Sometimes a song takes time to grow. For example, Keno Kache Ale is a track that finds new listeners every day.

Rafi: Do you consider yourself to be a very reserved person?

Ariyan Mehedi: I think I am quite reserved. I spend a lot of time in the studio, which is a solitary environment. I wouldn't say I'm extremely open, but I express everything I need to say through my lyrics.

Rafi: How are you managing your personal relationships alongside a demanding music career?

Ariyan Mehedi: It is a balancing act. I am very close to my work, and the studio takes up a lot of my mental space. I don't have too many friends, but I value the connections I have within the industry and my family.

Rafi: So, are you single now?

Ariyan Mehedi: I prefer to keep that side of my life private. In the age of social media, everyone shares everything, but I think maintaining some mystery is important for an artist.

Rafi: Ariyan, it was a pleasure talking to you. Do you have any final message for the readers?

Ariyan Mehedi: I hope you enjoyed the interview. Keep supporting independent music and keep listening. There are many more projects coming from Ariyan Studio soon. Stay healthy and happy.

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MENAFN Editorial

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