Met Exhibition Explores Photography's Century-Long Cloud Challenge
Early photographic processes were notably sensitive to blue light, often rendering skies as stark, overexposed white spaces. While this sometimes created an ethereal effect, exemplified by John Beasley Greene's“The Nile in Front of the Theban Hills” (1853–54), some photographers resorted to painting clouds into their landscape prints. A critical advancement came when French photographer Gustave Le Gray devised a method to combine two separate exposures, one for the sky and another for the land and sea, demonstrating that photographic manipulation has roots as deep as the medium itself.
The exhibition, which also includes Linnaeus Tripe's“Pugahm Myo: Distant View of Gauda-palen Pagoda” (1855), begins with painted cloud studies and concludes with photographic modernism. It highlights a dynamic interplay between artistic practice and technological development, rather than a linear scientific progression, presenting a more nuanced history of visual discovery.
Source: Hyperallergic
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