Tuesday, 02 January 2024 12:17 GMT

Chris Comerford


Date:

(MENAFN- The Conversation)
  • Senior Lecturer in Communication and Media, University of Wollongong
Profile Articles

Dr. Chris Comerford is a Senior Lecturer in Communication and Media at the University of Wollongong. He is a researcher and teacher in screen studies, fan cultures and serious leisure. He is the author of Cinematic Digital Television: Negotiating the Nexus of Production, Reception and Aesthetics (Routledge, 2022) and Babylon 5: Moments of Transition (forthcoming – Intellect, 2027).

Experience
  • 2026–present Associate Head of School (Communication and Media), University of Wollongong
  • 2026–present Senior Lecturer in Communication and Media, University of Wollongong
  • 2020–2025 Lecturer in Communication and Media, University of Wollongong
  • 2014–2020 Casual Teaching Academic, Communication and Media, University of Technology Sydney
  • 2019–2019 Media Studies Tutor, University of New South Wales
  • 2018–2018 Guest Lecturer in Fan Studies, University of Sydney
  • 2017–2017 Guest Lecturer in English, University of Otago
  • 2016–2016 Media Studies Tutor, Macquarie University
Education
  • 2016 University of Technology Sydney, Doctor of Philosophy, Communications and Cultural Studies
  • 2013 Western Sydney University, Bachelor of Arts (Honours), English and Cultural Studies
Publications
  • 2025 Shrinking The Bear: A Closer Look at Two Divergent Outstanding Comedy Nominees, Pop Junctions
  • 2025 Flying British Superheroes of World War II and Beyond: The Historical Turn in Britain's Aviation War in Popular Culture (with Lisa Hackett, Jo Coghlan and Huw Nolan), The Routledge Companion to Superhero Studies (Routledge)
  • 2025 The accidental multiverse: Adaptations and reboots and the new superhero content strategy, The Australasian Journal of Popular Culture
  • 2025 Becoming the Shadows: A Gothic Noir Reading of Empathy, Psychopathy, and Anti-Heroism in The Batman (2022) (with Tracey Woolrych), M/C Journal
  • 2024 Binge-watching and mental illness versus comfort TV and mental health in WandaVision (with Christopher Moore and Ren Vettoretto), Critical Studies in Television
  • 2024 Theme: communicating through chaos: emerging research (with Renée Middlemost), Communication Research and Practice
  • 2023 Leadership and Empathy on the Screen, The SAGE Encyclopedia of Leadership Studies
  • 2023 Audiences (with Renée Middlemost), The Media and Communications in Australia, 5th Edition (Routledge)
  • 2022 Television Heroes, Encyclopedia of Heroism Studies (Springer)
  • 2022 Fitting Inside the Mouse House: Disney's Experiential Media Aesthetics, Fan Phenomena: Disney (Intellect Books)
  • 2022 On-Screen: The Silver, Small and Smartphone Screens of Heroism, Heroism Science: An Interdisciplinary Journal
  • 2022 Cinematic digital television: Negotiating the nexus of production, reception and aesthetics, Sole-Authored Monograph (Routledge)
  • 2022 Video Games and Heroism (with Jasmyn Connell), Encyclopedia of Heroism Studies (Springer)
  • 2022 Tabletop Roleplaying Games and Heroism (with Hannah Geremia), Encyclopedia of Heroism Studies (Springer)
  • 2022 Archive-lensing of fan franchise histories: Chronicle, guide, catalyst (with Natalie Krikowa), Transformative Works and Cultures
  • 2020 Coconuts, Custom-Play and COVID-19: Social Isolation, Serious Leisure and Personas in Animal Crossing: New Horizons, Persona Studies
  • 2019 '“If you're good at something, never do it for free”: Cinematic Supervillains, Narrative Effectiveness and Brand Building (with Jason Bainbridge), Refractory: A Journal of Entertainment Media
  • 2019 “The Uses of Cinema”: SSAAANZ 2018 Conference Review, Film Criticism
  • 2019 Twenty-First Century Transhumanism: Adapting, Franchising and Participating in Modern Cyberpunk, Refractory: A Journal of Entertainment Media
  • 2018 Personal Heroism through Fact and Fiction: Safeguarding Truth and Freedom in the Utopia of Star Trek and the Whistleblowing of Edward Snowden, Heroism and Wellbeing in the 21st Century: Applied and Emerging Perspectives (Routledge)
  • 2018 Why Did We Dodge This? Mediating Story, Stunts and Special Effects through The Matrix's Bullet Time, Peephole Journal
  • 2018 Participatory Toolboxes: Franchise Fan Wikis as Tools of Textual Production, Participations: International Journal of Audience Research
  • 2017 Review – The Superhero Costume: Identity and Disguise in Fact and Fiction, Studies in Costume and Performance
  • 2016 Ambiguous Heroism: Anti-Heroes and the Pharmakon of Justice, IM: Interactive Media
  • 2015 "The Hero We Need, Not the One We Deserve": Vigilantism and the State of Exception in Batman Incorporated, Graphic Justice: Intersections of Comics and Law (Routledge)
Grants and Contracts
  • 2023 Vice-Chancellor's Equality, Diversity, Inclusion Transformation Fund (VC EDI-T) Role: Primary Investigator Funding Source: University of Wollongong
  • 2022 ANZCA Annual Conference 2022 Development Fund Role: Conference Organiser/HDR ECR Day Coordinator Funding Source: Australian and Aotearoa New Zealand Communication Association
  • 2018 Casual Academic Professional Development Fund Role: Conference Chair and Presenter Funding Source: University of Technology Sydney
  • 2018 UTS Learner Experience (Lx) Lab Grant Role: Secondary Investigator Funding Source: University of Technology Sydney
Professional Memberships
  • Heroism Science journal - Editorial Board
  • Screen Studies Association of Australia and Aotearoa New Zealand - Executive Committee, Ordinary Member
  • Australasian Association of Writing Programs
  • Australian Screen Production Education and Research Association
  • Graphic Justice Research Alliance
Research Areas
  • Cultural Studies (2002)
  • Networking And Communications (080503)
  • Screen And Media Culture (200212)

The Conversation

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The Conversation

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