Prairie Gallery, Chicago's“Commercially Irreverent” Space, Closes After Nine Years
Co-founded in 2017 by Tim Mann and Jack Schneider, Prairie operated as an artist-run space. Its name referenced“the ecosystem that thrived in and around Chicago prior to the region's colonization and industrialization,” according to a prior description for Chicago Exhibition Week. The gallery aimed to exhibit art“free from the pressures of commercial viability.”
While many galleries face closure due to market pressures, Schneider stated on Monday that financial concerns were not the primary reason for Prairie's shuttering.“We were never a market-oriented space,” Schneider explained. He added,“I think an artist friend of ours, Mira Dayal, recently used the phrase 'commercially irreverent' to describe her practice, and I think that pretty perfectly describes our program and approach. We never expected to turn a profit, and we never did. We only ever, through occasional sales, fundraising, and occasional grants, raised just enough money to run the program itself.” Mann confirmed that the closure had been planned for a year, describing the moment as“a nice celebratory moment to close on.”
The gallery gained a reputation for identifying promising artists early in their careers. Isabelle Frances McGuire, whose sculptures were featured in the recent Whitney Biennial, had her inaugural solo exhibition at Prairie in 2017. André Magaña, a highlight of the 2026 MoMA PS1 Greater New York quinquennial, held his second one-person show at the gallery in 2019. Other artists who exhibited at Prairie included Kira Scerbin, Craig Jun Li, Max Guy, Katz Tepper, ASMA, ektor garcia, and Amina Ross.
Mann noted that Prairie was established in his and Schneider's studio, inspired by Chicago's tradition of alternative spaces such as New Capital and Queer Thoughts, the latter of which later moved to New York. The gallery presented artists whose work often did not align with the mainstream commercial art world, a mission facilitated by Chicago's comparatively lower rent costs. Schneider indicated that he and Mann intend to continue collaborating on curatorial projects, moving beyond the structure of an artist-run space.
We previously reported:After 15 years, Brussels-based Super Dakota gallery will close its doors at the end of October, with its founder pivoting to new models.
Source: ARTnews
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