Anderson Ranch Arts Center Balances Growth At 60 Years
When the Ranch was founded in 1966 by Paul Soldner, a ceramics practitioner, it consisted of little more than a kiln in a field, as veterans recall. Soldner, who pioneered American raku, was inspired to pursue art after seeing charcoal drawings by a prisoner at Austria's Mauthausen concentration camp, which his U.S. division liberated. Initially planning to become a doctor after his service, these drawings shifted his path toward art, his daughter stated in a recent lecture.
Waanders, who joined Anderson Ranch in 2019 from the Aspen Institute, noted that this summer has recorded the highest student enrollment in the Ranch's history, with over 1,200 students annually, up from about 175 per summer in the 1980s. He views his role as building a new foundation while preserving the institution's history and relationships. Over the past five years, the endowment has increased by about $7 million, with roughly half attributed to market growth and half to generous gifts, Waanders said.
Curator Helen Molesworth has praised the Ranch's“Utopian summer-camp vibe of 'we're all just here making stuff together'” and its heterogeneity, where“you have everyone from Simone Leigh to a Sunday painter.” Waanders echoed this, stating his appreciation for a place where a billionaire can learn watercolors next to a scholarship student.
The Ranch recently launched the Marie Figge Wise Master Printer-in-Residence fund and position, supported by a gift from the William and Marie Wise Family Foundation, to bolster its Printmaking and Editions program. The institution has also been invited to join the International Fine Prints & Drawings Association (IFPDA), Waanders confirmed.
Despite its growth and increased professionalization, the Ranch maintains its flexibility. Andrea Jenkins Wallace, president of artistic affairs for 18 years, stated:“We're still very nimble... It's not so big that we can't just say, okay, let's just do” this or that program. Waanders is focusing on the next 10 to 20 years, emphasizing ongoing renovations, facility updates, and continued efforts in thought leadership, all while aiming to preserve the“special” aspects of the institution.
Source: ARTnews
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