The Cowra breakout: remembering and reflecting on Australia's biggest prison escape 75 years on

(MENAFN- The Conversation) Today (August 5) marks the 75th anniversary ofAustralia's largest prison escape : the Cowra breakout, in New South Wales, during the second world war. In fact, it is one of thelargest prison escapes in world history , but unless you are a keen war historian you may have never heard about it.

A small farming community was forever changed in 1944, when the sound of a bugle cut through the crisp night air at the Cowra Prisoner of War camp.

Shortly before 2am, hundreds of Japanese prisoners of B Camp ran towards thebarbed wire fencesbrandishing makeshift weapons such assharpened table knivesandclubs .

The morning after the outbreak revealed the dead bodies of many Japanese POWs lying everywhere along the blanket draped wire.
Australian War Memorial (044172)



Knives recovered in and around B Camp.
Australian War Memorial (073486)

Rushing through a hail of bullets fired by the Australian guards, hundreds of prisoners escaped into the countryside. In the following days, 334 prisoners were recaptured.

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Four Australian soldiersand at least231 Japanese prisoners were killed , while a further 108 prisoners and three guards were wounded. No civilian casualties or injuries were recorded.

As the dust settled, many would question why the prisoners would attempt such a bold and ultimately lethal escape plan. How do we as a society make sense of such bloodshed?

Burial of Australian soldiers killed during breakout of Japanese prisoners at B Camp.
Australian War Memorial (044119)

From non-fiction to fiction

While there have been a number of non-fiction works written on this event by authors such asHugh Clarke ,Charlotte Carr-Gregg , andHarry Gordon , it is works of fiction that have sought to fill in the gaps of history. They give us a way of understanding the incomprehensible.

The first author to do so was Australian poet and novelistKenneth Seaforth Mackenzie . Mackenzie was stationed at Cowra during WWII and was on duty the night of the breakout.

Dead Men Rising, by Seaforth Mackenzie.

His novelDead Men Risingwas based on his experiences. Because of this, the book was initially halted from Australian release due to the publisher's fears of libel claims.

The book was released in the UK and USA in 1951 but Australian readers had to wait until 1969, several years after Mackenzie's death, to read his interpretation of the event.

Dead Men Rising is largely focused on camp life through the eyes of the guards in the lead up to the break out. There is little interaction with the Japanese inmates who are represented as 'un-human', 'animal-like' and 'unpredictable'.

Mackenzie depicts them as utterly foreign and incomprehensible to the Australian soldiers. This narrative likely reflects attitudes at the time with anti-Japanese sentiment still high in the early post-war years.

A Japanese perspective

Several years later, Japanese author and former military doctor Teruhiko Asada, wroteHiroku Kaura no Bōdōa title that translates as 'The Secret Record of the Cowra Riot' in 1967.

Japanese Prisoners Of War marching back to their quarters after being issued with new clothing a month before the breakout.
Australian War Memorial (067200)

It was received eagerly by English speaking audiences when it was translated by former Australian soldier and interpreter Ray Cowan in 1970 under the sensationalist titleThe Night of a Thousand Suicides .

The Night of a Thousand Suicides, by Teruhiko Asada and translated Ray Cowan (left) and The Naked Sun, by Ted Willis (right)

Presented as a first-person narrative, the story had an intimate feel lacking in previous accounts, which led to someclaiming the book was more fact than fiction , no doubt reinforced by Cowan's inclusion ofphotographs from the Australian War Memorial . But this attribution is problematic given Asada was never imprisoned at Cowra.

The breakout was again revisited by authors in the 1980s.The Naked Sun , published in 1980 by British authorLord Ted Willis , uses a split narrative.

Alternating between an Australian and a Japanese perspective of the war, this novel highlights the unlikely similarities shared between the story's two opposing protagonists, an ex-farmer from occupied New Guinea and an imprisoned Japanese Sergeant.

Childhood memories

Later that decade, British-Australian author Jim Anderson (ofOZ Magazinefame) draws on his own memories of the Cowra breakout as a child in his 1989 novelBillarooby .

Billarooby, by Jim Anderson.

The coming of age novel depicts a young boy who seeks to help the 'samurai' escape from the POW camp, amid a backdrop of familial trauma and the hardships of rural life.

The boy's innocence highlights the inherent racism, bigotry and violence that permeate the town's pleasant façade, disrupting the notion that the 'enemies' are the ones behind the barbed wire fence.

In 1989 Thomas Keneally revised and republished his 1965 novelThe Fear .

The 1965 edition drew upon his boyhood memories of the breakout with this work briefly depicting the camp and subsequent breakout in the latter half of the book.

But in the revised 1989 edition, which was renamedBy the Line , he omits any mention of the camp entirely. The author later said this earlydepiction was largely inaccurate .

The Fear, By The Line and Shame and the Captives, by Thomas Keneally.

With this fresh perspective, Keneally returned again to the breakout in 2013 withShame and the Captiveswhich is set in the town of Gawell, a fictionalised version of Cowra.

Keneally said in his introduction that now, rather than drawing on his faulty memories of childhood, he spent considerable time researching the historical event which informs his work.

By aiming to create a 'a truth in this fiction' Keneally hoped to 'interpret the phenomenon of Cowra'. His reimagining included explorations of Italian and Korean POWs who were also held at Cowra, but whose stories are often overlooked.

Barbed Wire and Cherry Blossoms by Anita Heiss.
Simon & Schuster AU

The most recent work which revisits the breakout is by Wiradjuri author Anita Heiss.

Her 2016 workBarbed Wire and Cherry Blossomsprovides an Indigenous voice to the history of Cowra, a voice that has often beensilenced in accounts of Australian history .

Issues of race, discrimination and loyalty take on a new sense of urgency in this wartime setting, yet also highlight that while much has changed in the last 75 years, so much has stayed the same.

Heiss echoed this view when she asserted there ' are lessons still to be learned from the history of Cowra ', lamenting the regression in Australia's treatment of detainees in centres such as Manus Island or Don Dale.

Cowra today

From this bloody chapter of history, the township of Cowra – today, a four hour drive inland from Sydney – has moved forward to promote itself as a beacon of peace, friendship, and understanding.

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In a show of respect for the dead, the Cowra RSL Sub-branch cared for theJapanese burial ground informallyuntil eventually the graves were relocated to what is now the Cowra Japanese War Cemetery, which opened in 1964.

In 1979 theCowra Japanese Gardenand Cultural Centre opened, and is considered to be a ' tangible monument to peace and reconciliation '.

The Japanese gardens in Cowra, taken in April 2018.
Flickr/Robert Montgomery ,CC BY

The gardens and the cemetery were symbolically linked by an avenue of cherry blossoms in 1988, and in 1992 Cowra was awarded further recognition to its peace efforts withThe Australian World Peace Bell .

Festivals such as theSakura Matsuri festivaland theFestival of International Understandingfurther showcase Cowra as a 'unique place … of reconciliation'.

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