Music Streaming Market Size With Growth Opportunities, Top Countries Data, Future Trends And Share With Revenue Forecast 2022 To 2031


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The report titled Music Streaming Market which was recently added by Kenneth Research, aims at providing the clients with the business growth and investment opportunities present in the market globally. Further, the market is evaluated on various parameters that is covered in the report and further includes market size, market volume and the growth rate over the forecast period, i.e., 2022-2031 . The market is further anticipated to grow with a robust CAGR throughout the forecast period.

U.S. Market recovers fast; In a release on May 4th 2021, the U.S. Bureau and Economic Analysis and U.S. Census Bureau mentions the recovery in the U.S. International trade in March 2021. Exports in the country reached $200 billion, up by $12.4 billion in Feb 2021. Following the continuous incremental trend, imports tallied at $274.5 billion, picked up by $16.4 billion in Feb 2021. However, as COVID19 still haunts the economies across the globe, year-over-year (y-o-y) average exports in the U.S. declined by $7.0 billion from March 2020 till March 2021 whilst imports increased by $20.7 billion during the same time. This definitely shows how the market is trying to recover back and this will have a direct impact on the Healthcare/ICT/Chemical industries, creating a huge demand for Music Streaming Market Products.

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In Canada, the ICT sector consists of around 41,500 companies. Out of these, over 37,000 companies fall under software and computer services industry, resulting in around 89.8% of key players in the ICT industry to be involved in software and computer services. On the other hand, in the year 2018, as per the statistics of the Canadian ICT Sector Profile, released by the Government of Canada, ICT wholesaling, communications services and ICT manufacturing contributes to 4.5%, 3.4% and 2.2% share respectively in the country.

The report covers the forecast and analysis of the music streaming market on a global and regional level. The study provides historical data from 2015 to 2018 along with a forecast from 2019 to 2027 based on revenue (USD Million). The study includes drivers and restraints of the music streaming market along with the impact they have on the demand over the forecast period. Additionally, the report includes the study of opportunities available in the Music Streaming Market on a global level.

In order to give the users of this report a comprehensive view of the music streaming market, we have included a competitive landscape and an analysis of Porter's Five Forces model for the market. The study encompasses a market attractiveness analysis, wherein all the segments are benchmarked based on their market size, growth rate, and general attractiveness.
The report provides company market share analysis to give a broader overview of the key players in the market. In addition, the report also covers key strategic developments of the market including acquisitions & mergers, new product & service launches, agreements, partnerships, collaborations & joint ventures, research & development, and regional expansion of major participants involved in the market on a global and regional basis.

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The study provides a decisive view of the music streaming market by segmenting the market based on the type, content type, payment mode, platform, age group, end-user,and regions. All the segments have been analyzed based on present and future trends and the market is estimated from 2019 to 2027. The regional segmentation includes the current and forecast demand for North America, Europe, Asia Pacific, Latin America, and the Middle East and Africa.

An increase in the number of smartphone users has led to the massive growth of the music streaming industry during the period from 2019 to 2027. In addition to this, the rise in web penetration across the nook & corner of the world is likely to accelerate the market trends. Nevertheless, the low availability of skilled manpower and shorter average lead lengths will obstruct the growth of the market over the forecast timeline.

On the basis of type, the market for music streaming is sectored into live streaming and on-demand streaming. Based on the content type, the industry can be classified into audio streaming and video streaming. In terms of the payment mode, the market can be divided into free and subscription & Ad-supported payment modes. Based on the platform, the market is divided into desktop and smartphone. Based on the age group, the market can be sectored into between 16 and 24 years, between 25 and 34 years, between 35 and 44 years, between 45 and 54 years, and more than 55 years. In terms of the end-user, the market for music streaming can be divided into individual and commercial.

Key players involved in the music streaming industry includes Amazon.com, Inc., Apple Inc., Deezer S.A., Gamma Gaana Ltd., Google Play, iHeartMedia, Inc., Inmusik, jango.com, Netease Company, Pandora Media, Inc., Project Panther Bidco Ltd., Reliance Industries Limited, Rhapsody International, Inc., Sirius XM Holdings Inc., Slacker Radio, SoundCloud Limited, Spotify AB, Stingray Digital Group Inc., Tencent, TuneIn, Inc., Univision Communications Inc., VK, and You42 Radio.

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About Kenneth Research:

Kenneth Research is a multi-client market research database that aims at providing reports that help industry professionals including various individuals and organizations to identify the market trends and scope, thereby making it easier for them to take decisions and form strategies after complete assessment of the market. The various industries catered by the company include healthcare & pharmaceuticals, ICT & telecom, automotive & transportation, energy & power, chemicals, FMCG & food, aerospace & defence and several others. Being a global market research reselling firm, Kenneth Research provides strategic business consultancy services at a global level and offers a single platform for the best market research reports.

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George Benson

George Benson is an energetic and versatile freelance writer for 5 years, he pens down any type of article and web content. He is a Cambridge University Business English Certificate (Europe Level) holder. He is analytical, enthusiastic, and ingenious, with the essence to work variously, and strives to emerge as a lucrative individual who has a grasp on market. Congenial Interpersonal skills and the competence to grab every single trivia with foolproof analysis is something he primarily possesses.

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